The 16th-century Italian painter Caravaggio received scathing criticism in his day for depicting people of the Bible as common. His critics reflected a time when only members of royalty and aristocracy were considered appropriate subjects for the “immortality” of art. His commissioned canvas of St. Matthew and the Angel so offended church leaders that it had to be redone. They could not accept seeing Matthew with the physical features of an everyday laborer.

According to one biographer, what the church fathers did not understand was that “Caravaggio, in elevating this humble figure, was copying Christ, who had Himself raised Matthew from the street.”

Caravaggio was right about the people of the Bible. Jesus Himself grew up in the home of a laborer. When His time came to go public, He was announced by a weather-worn man of the wilderness known as John the Baptizer. His disciples were fishermen and common people.

Jesus lived, loved, and died for wealthy people too. But by befriending those who had been demon-possessed, lepers, fishermen, and even despised tax collectors, the teacher from Nazareth showed that no one is too poor, too sinful, or too insignificant to be His friend.  — Mart De Haan